Illustrative stock photograph; not a Meluvya result or a test of the technique. Photo by Alex Paz / Pexels.
The quick answer
First check whether the face contains usable detail in the original. If the whole photo is dark, try a modest overall brightness adjustment. If only the face is dark, use a local adjustment when your editor offers it, then inspect noise and the transition into hair and neck. Stop when further brightening reveals artifacts rather than useful detail.
Decide whether the whole image needs lifting
A portrait taken against a bright sky can have a properly bright background and an underexposed face. A dim indoor image may be dark everywhere. These are different editing problems: lifting the entire first picture can erase the background you wanted to keep.
Adobe's shadow-and-highlight guidance describes targeted tonal corrections. The useful principle is to change the area or tonal range that needs help, while keeping an untouched source available.
Brighten in small, inspectable steps
Open the best source. Use the original saved photograph, not a compressed chat preview or screenshot, when it is available.
Make a small global test. Raise brightness or exposure slightly. If the scene improves together, continue carefully; if the background washes out, return to the starting point.
Target the face if needed. Use a softly blended mask or selective adjustment in an editor that supports it. Include the relevant neck area so the face does not appear pasted onto the body.
Inspect the darkest important detail. Look at the shaded eye and hairline. Keep the adjustment only if it reveals useful shape without distracting speckles, banding, or an obvious bright halo.
Know when to stop recovering shadows
Result after brightening
Decision
Expression becomes readable with modest noise
Keep the smallest adjustment that works at the final size.
Skin becomes patchy while eyes remain unclear
Try another frame or accept a darker treatment.
Background loses its intended atmosphere
Reduce the global change or make a more selective edit.
A bright boundary appears around the face
Reduce the adjustment and refine the mask transition.
Do not turn every shadow into daylight
A night portrait can remain dark and still be successful. The target may be readable eyes and an identifiable expression, not equal brightness across the frame. Compare a restrained version with a brighter version as thumbnails.
If the scene was not recorded clearly, editing cannot guarantee the original detail. A generative reconstruction is a different operation and may invent features. For an important likeness, prefer a clearer source photograph.
Common questions
Should I raise shadows or exposure?
Names vary by editor. Exposure generally affects a wider range; a shadow adjustment targets darker tones. Compare their effects on both face and background.
Why does brightening show grain?
The adjustment can make existing noise more visible. More brightness does not mean more captured detail.
Can I recover a completely black face?
Not reliably if useful facial information is absent. Try the original file and another capture before trusting a reconstruction.